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ABOUT

At Phantoms Entertainment, we are the architects of imagination, the masters of cinematic magic. Our mission is to push the boundaries of storytelling and visual artistry, crafting captivating content that transcends reality and captivates audiences worldwide.

Stories That Captivate

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Founders

Hunter George

Hunter George is an award-winning Executive Music Producer, Music Supervisor, , and Composer with over 20 years of experience across Film, TV, and Gaming. He is the founder of Phantoms Creative, a full-service music company and creative collective specializing in original music, music supervision, and artist development.

 

In 2025, Hunter Co-produced the song “EGO” ft. Qing Madi for Riot Games’ VALORANT’s

5 year anniversary cinematic “WHY WE FIGHT”. The song became a global cultural moment, amassing 90M+ streams and views worldwide, reaching YouTube’s Top 5 Trending, and culminating in a Orchestral live performance at the EMMY Winning VALORANT Champions event in Paris in front of 30,000 fans. The song went on to earn multiple industry honors, including Clio Awards, Hollywood Music in Media Awards, and recognition from the Guild of Music Supervisors.

 

Hunter’s credits include contributions to Glass Onion and Training Day, collaborating with music supervisor John Houlihan and composer Christopher Lennertz. He also spent over a decade as Partnerships Director at the Guild of Music Supervisors and was selected for the Recording Academy’s GRAMMY NEXT Class of 2018. Early in his career, Hunter toured with artists including Murs, Del The Funky Homosapien, and Hieroglyphics, and won four beat battle competitions. His work continues to bridge storytelling, strategy, and sound at the intersection of media and music.

 

Beyond his work in film/tv, Hunter worked as a multimedia producer, with Stan Lee on an animated project called Blood Red Dragon, co-created by Yoshiki and Todd McFarlane. He worked for over a decade in Entertainment and Fashion Marketing for major streetwear and skate brands and other entertainment companies, He has taken his marketing prowess towards his approach in soundtrack creation, ensuring it reaches more audience and can work as a cross-promotional vessel between the Studio, Talent, & Advertising Collaborations. From his innovative approach to music production to his strategic guidance as a Music Supervisor, Hunter's contributions have left an indelible mark on the industry, inspiring audiences and fellow creatives alike.

Todd Bergman

Todd Bergman is a LA-based music producer, mixer and Grammy nominated recording engineer with fifteen years of experience and a curated ear for industry trends. Having cut his teeth at several of LA’s preeminent "World Class Studios," Todd has worked with top tier recording artists, producers, songwriters and musicians in pop, rock, rap, R&B, and jazz.​

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Over the last several years Todd has continued to thrive - engineering nearly all of Wale’s comeback album “Wow Thats Crazy,” including producing and mixing several songs. Starting in January 2020, Todd spent over a year and a half engineering for Kanye West on his album Donda, plus recording the Sunday Service Choir, and earning his first Grammy nomination for his work. More recent projects include engineering and mixing for Brandy, Lauryn Hill, 4batz, Sombr, Polo G, and Ye’s Vulture 2. Additionally Todd has contributed music production, and engineering for Chika and recorded work on several of Yo Gotti’s recent releases.

 

Todd’s career began in 2007 he was hired by Threshold Sound + Vision studios, where he worked on recording sessions with the likes of Robert Glasper, Weezer, Jill Scott and others. In 2012 Todd was contracted as an in house audio engineer and studio consultant for Interscope Records where he worked on several seasons of American Idol and with many UMG artists including Zedd, Dr. Dre, and Kendrick Lamar.

 

In late 2013 Todd spent over 15 months working with Nicki Minaj on The Pink Print LP, as well as sessions with Chris Brown, Alessia Cara, Busta Rhymes, David Guetta, Hitmaka and many more.

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Andrew Furze

Andrew Furze is a Sydney- based musician and producer with over twenty years experience in the music and television industries. He is an accomplished songwriter, producer, arranger, vocalist and instrumentalist. Melbourne born, Andrew studied classically before turning to more contemporary genres. An accomplished tenor, he studied music at Monash University before turning his back on the classical world in favor of rock.

 

His first band, Girl Friday, was signed to Standard Records when he was 19. Andrew's song-writing prowess saw him signed to a publishing deal and he was soon co-writing with a diverse range of acts, including Andrew De Silva, Delta Goodrem. Emmanuel Carella, Belinda Emmett, S2S and Rebecca Cartwright. He toured stadiums nationally as Music Director for Emmanuel Carella on Christina Aguilera's "Stripped" tour.​

 

In 2005 Andrew was hired as Performance Producer on Australia's "Aria Awards". Working closely with artists, labels, managers and the network, he creatively oversaw all 13 performances, the most ever at an ARIAs. Acts included Jet, Missy Higgins, Guy Sebastian, Delta Goodrem, Kasey Chambers, Spiderbait, Pete Murray, John Butler, Eskimo Joe, LRB and the Wrights super group.​

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Andrew was subsequently approached by both M.T.V. and Nickelodeon awards, but was drawn back to playing and writing. His next project "The Inches" were an instant hit in on radio, ultimately signing to Sony after just 5 shows. Their first E.P received high rotation play on Triple J and critical praise. The Inches toured and recorded relentlessly, both in Australia and overseas.​

 

Returning to television Andrew took up the role of music producer on So You Think You Can Dance for Fremantle Media. He has spent much of the last five years working in music producer roles across a variety of productions, including Dancing With The Stars, The Voice, So You Think You Can Dance (3 seasons), The X Factor (2 seasons) and Celebrity Apprentice.

 

He is also creative/music director for live tours, such as X Factor and Young Talent Time. Recent clients include Reece Mastin, 360, Justice Crew, Sony Music Australia, Young Talent Time, X Factor, The Voice, Universal Music, The Squared Division and Emanuel Kelly.

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